Art Basel Hong Kong

Almost 20,000 kilometers separate Brazil from Hong Kong, yet within the condensed geography of Art Basel Hong Kong, these distances collapse into a shared visual and conceptual space.

In a context still largely shaped by Asian narratives, Brazilian artists are increasingly asserting their presence. This report seeks to examine how Latin American and more specifically Brazilian practices resonate with parallel socio-historical questions across Asia. Histories of colonialism, resistance, appropriation, and reappropriation unfold differently across these regions, yet reveal striking conceptual affinities. Artists from both contexts engage with layered identities, contested narratives, and the rewriting of cultural memory, creating unexpected dialogues across continents.

At the intersection of these exchanges, Sophie Su Art Advisory brings a distinct European perspective, attentive to the subtle forms of “exoticism” that emerge in the encounter between these two seemingly distant worlds. While geographically and culturally divergent, Brazil and Asia share a capacity to generate powerful new imaginaries each, in its own way, offering profound sources of inspiration that continue to reshape and challenge Western artistic frameworks.

Brazilian Galleries

Almeida & Dale

At the main booth, curated by Cristiano Raimondi, Almeida & Dale reports strong sales, including a painting by Chen-Kong Fang and a monotype by Lygia Pape sold for $80.000. Works by Sara Ramo are positioned around $10.000, while ceramics by the Japanese artist Akinori Nakatani range between $30.000 and $40.000.

The presentation also includes a solo project by Thiago Hattnher in the Kabinett sector, where the 34-year-old artist, following a recent solo exhibition at Kurimanzutto, sold out the entire booth, with all 12 works placed at $10.000 each.

The booth continues to articulate a dialogue between Asian diaspora artists and Latin American practices, bringing together figures such as Manabu Mabe and Tomie Ohtake alongside key names including Mira Schendel and Alexander Calder. Contemporary voices such as Lidia Lisbôa and Vivian Caccuri further expand this framework, reinforcing the gallery’s role in connecting diasporic and Latin American narratives within the global art scene.

Almeida & Dale Gallery’s booth view

Lang Jingshan
Autumn Settings, n.d
Gelatin silver print
39.4 x 29.4 cm

Sold

Almeida & Dale Gallery’s booth view - Kabinett Sector

Mendes Wood

Once again participating in Art Basel Hong Kong, the Brazilian gallery Mendes Wood brings in its booth a refined selection of artists spanning generations of Brazilian art.

Lucas Arruda, known for his introspective landscapes, was recently exhibited in Lucas Arruda at the Musée d’Orsay (2024), marking a significant institutional milestone. Tomie Ohtake, in turn, is represented in Hong Kong through the collection of M+, reflecting her lasting presence within major international institutions and reinforcing her role in the global history of abstraction.

Lygia Pape was recently featured in Lygia Pape: Weaving Space at the Pinault Collection (October 9, 2025 – January 26, 2026). The exhibition centered on Ttéia 1, C (2003/2025), a major installation from the Pinault Collection, where copper wires stretched across space create a shifting sensory environment, activated by light and the viewer’s movement, fully embodying Pape’s concept of weaving space. Next week, the gallery Mendes Wood will open a solo exhibition dedicated to the artist at its São Paulo space, further reinforcing her continued institutional and market relevance.

Among contemporary voices, Marina Perez Simão was recently shown in Marina Perez Simão at Pace Gallery (2023), and Solange Pessoa in Solange Pessoa: Corpus at the Museu de Arte de São Paulo (2024). The presentation is complemented by Paulo Nimer Pjota, recently featured in A Lua e Eu at Mendes Wood (2023), Paulo Monteiro, shown in Paulo Monteiro at the Pinacoteca de São Paulo (2023), as well as Patricia Ayres, Paloma Bosquê and Marcos Siqueira, reflecting the gallery’s ability to articulate a nuanced and globally resonant vision of Brazilian art.

Mendes Wood Gallery’s booth view

Lygia Pape
Ttéia 1A, Plana Dourada, 2000
Golden thread, nails, and light,
292 x 390 x 190 cm

Internacional Galleries

White Cube (London, United Kingdom)

A central figure in Brazilian contemporary art, Vik Muniz is known for constructing images from unconventional materials, such as sugar, chocolate, or waste, which he then photographs. His work critically engages with image-making, perception, and material hierarchies.

Represented in Japan by NCA | Nichido Contemporary Art, the artist structures the distribution of the Dez Fotos editions across key markets. Two works are placed in the United States with Sikkema Jenkins & Co and Rena Bransten Gallery; two in Latin America with Galeria Nara Roesler and Xippas Montevideo; two in Europe with Galerie Xippas and Galeria Elba Benítez; and two in Asia with NCA | Nichido Contemporary Art and Ben Brown Fine Arts. Two editions remain unplaced, allowing for future strategic positioning.

In 2024, he presented an exhibition at the Museu de Arte de São Paulo, reaffirming his role in bridging contemporary art with social engagement.

White Cube Gallery’s booth view

Marina Rheingantz
Rosemary, 2026
Oil on linen
150 x 130 cm

Sold: $150.000

Luhring Augustine (New York, USA)

Luhring Augustine highlights the work of Lygia Clark, a seminal figure of Neo-Concretism whose practice redefined the boundaries between artwork and viewer. Through her Bichos, articulated, manipulable sculptures, Clark introduced a participatory dimension that transformed the spectator into an active agent, anticipating key developments in relational and experiential art.

A work from her Bicho series was recently acquired by a major American museum, underscoring the continued institutional demand for her practice. Her work has also been the subject of recent institutional presentations in Europe, notably at the Neue Nationalgalerie and the Kunsthaus Zürich (2025), reaffirming her central role in the global re-evaluation of postwar abstraction and participatory art.

Luhring Augustine Gallery’s booth view

Lygia Clark
Espaço Modulado, 1958
Cardboard collage
26 x 30,5 cm

Polígrafa Obra Gràfica (Barcelona, Spain)

A central figure in Brazilian contemporary art, Vik Muniz is known for constructing images from unconventional materials, such as sugar, chocolate, or waste, which he then photographs. His work critically engages with image-making, perception, and material hierarchies.

Represented in Japan by NCA | Nichido Contemporary Art, the artist structures the distribution of the Dez Fotos editions across key markets. Two works are placed in the United States with Sikkema Jenkins & Co and Rena Bransten Gallery; two in Latin America with Galeria Nara Roesler and Xippas Montevideo; two in Europe with Galerie Xippas and Galeria Elba Benítez; and two in Asia with NCA | Nichido Contemporary Art and Ben Brown Fine Arts. Two editions remain unplaced, allowing for future strategic positioning.

In 2024, he presented an exhibition at the Museu de Arte de São Paulo, reaffirming his role in bridging contemporary art with social engagement.

Polígrafa Obra Gràfica Gallery’s booth view

Vik Muniz
After Sonia Delaunay, 2025
Portfolio of 6 photographs
49,8 x 38,1 cm. (each)Edition: 20

Asking Price: €6.000

Carlos Ishikawa (London, United Kingdom)

The gallery Carlos/Ishikawa, founded by Vanessa Carlos, originally from São Paulo, brings together a strong group of artists, both Brazilian and international, whose practices engage with questions of identity, materiality, and social structures.

Maxwell Alexandre has gained international recognition with his large-scale paintings, recently presented in Maxwell Alexandre: Pardo é Papel at the Musée d’Art Contemporain de Lyon (2024). Marlene Almeida explores material memory through textile and installation, and in 2025 participated in the 36ª Bienal de São Paulo. In 2024, she was also included in Mãos: 35 anos da Pinacoteca at the Pinacoteca de São Paulo. Antonio Tarsis, whose work reflects Afro-Brazilian memory and spirituality, was recently featured in When We See Us at the Kunsthalle Basel (2024), highlighting the rising visibility of Brazil’s Northeast on the international stage.

In terms of pricing, Maxwell Alexandre’s works are positioned between $16.000 for canvas pieces, $24.000 for works on paper, and up to $28.000 for large-scale paper formats. Marlene Almeida presents wall sculptures around $20.000, while her paintings reach approximately $25.000, reflecting a growing market recognition aligned with their increasing institutional visibility.

Carlos/Ishikawa Gallery’s booth view
Marlene Almeida
Abismo, 2019
13 voile fabric objects filled with sand; mineral pigments, natural binders and ferruginous concretions
118 x 120 cm
 

Asking Price: $20.000.00

Esther Schipper (Berlin, Germany)

Rafa Silvares operates at the intersection of sculpture, architecture, and digital image-making. His installations investigate perception, simulation, and spatial experience, often engaging immersive and hybrid environments.

His work has recently been presented in international contexts, including European exhibitions and fairs in 2024, consolidating his position within a discourse on new materialities and expanded spatial practices. On April 21, 2026, the exhibition Double Two opened at 47m Contemporary, featuring works by Jac Leirner and Rafa Silvares, further reinforcing his growing presence on the European scene.

Esther Schipper Gallery’s booth view
Rafa Silvares
Load, 2025
Oil on linen
180 x 140 cm
 
Asking Price: $43.5000

Meyer Riegger Wolff (Seoul, South Korea)

A key figure in contemporary Brazilian art, Paulo Nazareth develops a practice grounded in displacement, colonial memory, and invisible histories. Often working through performance and long-distance walks, he positions the body as a living archive of transatlantic narratives linking Latin America, Africa, and the diaspora.

His recent institutional exhibition Paulo Nazareth: Melee at the Institute of Contemporary Art Miami (2024) reinforced his presence in the North American context. In 2026, he further expands this trajectory with a major exhibition at the Punta della Dogana (March 29 – November 22, 2026), curated by Fernanda Brenner, where his long-term performative journeys across the Americas and Africa, often undertaken barefoot, are presented as a critical reflection on colonial histories, systemic racism, and the embodied nature of movement and memory.

Meyer Riegger Wolff Gallery’s booth view

Lisson Gallery (London, United Kingdom)

The gallery presents a compelling dialogue between generations of Brazilian artists, bringing together figures such as Hélio Oiticica, Tunga, and Dalton Paula, each redefining the relationship between material, narrative, and viewer. From Oiticica’s pioneering immersive environments—recently highlighted in “Hélio Oiticica” at the Tate Modern (2023–2024), to Tunga’s alchemical and symbolic sculptural systems, presented in exhibitions such as “Tunga: Entre o Céu e a Terra” at the Museo Reina Sofía, and Dalton Paula’s critical re-inscription of Afro-Brazilian histories, notably featured in “Dalton Paula: Segredos” at the Pérez Art Museum Miami (2024), their practices articulate a continuous expansion of artistic language rooted in Brazil yet resonant globally.

Lisson Gallery’s booth view / Photo by Sebastiano Pellion di Persano

Mennour (Paris, France)

The gallery Mennour brings the Brazilian artist Sidival Fila, whose practice unfolds at the intersection of spirituality, materiality, and memory. A former Franciscan friar, Fila works with reclaimed ecclesiastical textiles, antique vestments and worn fabrics, which he transforms into austere, contemplative compositions through stitching and layering, activating the latent histories embedded in the material.

Rooted in a meditative approach to time and gesture, his textile practice resonates with principles close to Zen philosophy, particularly in its attention to repetition, impermanence, and silence, creating a subtle dialogue with Asian sensibilities and reinforcing the relevance of his work within this context. His work has recently been presented internationally, notably in the exhibition “Sidival Fila” at Galerie Mennour, Paris (2024), reflecting the growing recognition of his practice within the European art scene.

Mennour Gallery’s booth view

Sidival FilaI
Metafora Avorio 20, 2025
20th century linen, sewn on canvas, on stretcher
170 x 171 cm

David Zwirner (New York, USA)

Lucas Arruda develops an introspective painting practice situated between abstraction and landscape. His small-scale works, often based on memory, evoke subtle atmospheres where light becomes the primary subject.

Represented by David Zwirner, he recently exhibited in New York (2023–2024), consolidating his position within major international collections.

David Zwirner Gallery’s booth view

Lucas Arruda
Untitled (from the Deserto-Modelo series), 2025
Oil on canvas
18 x 22 cm

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