Jacqueline Duncan is presented as a Brazilian visual artist, born in Salvador, Brazil, in 1981, and working between Salvador and Rio de Janeiro. According to the available reference text, her practice spans painting, photography, textile practices, and installation, exploring Afro-Brazilian identity, ancestry, spirituality, and female memory.

Through layered material processes and symbolic imagery, Duncan is described as creating poetic environments shaped by ritual, orality, and diasporic cultural traditions, often incorporating textiles, beads, embroidery, ceramics, archival images, and organic materials. Her works are said to connect body, territory, and collective memory, transforming manual gestures into structures of resistance, care, and spiritual reflection.

To date, no reliable public sources have been identified that confirm these biographical details, her participation in specific institutional exhibitions, or the presence of her work in permanent museum collections.