Wanda Pimentel (1943–2019) was a Brazilian painter whose work uniquely blended geometric precision with socio-political critique, particularly focusing on themes of consumerism, gender roles, and domestic life. Born in Rio de Janeiro, she studied under Ivan Serpa at the Museum of Modern Art in Rio, absorbing influences from Constructivism and Pop Art. Her most renowned series, Envolvimento (Involvement), initiated in 1968, features fragmented female bodies intertwined with everyday household objects, rendered in bold colors and flat, graphic compositions. These works subtly critique the objectification of women and the oppressive nature of domestic spaces during Brazil's military dictatorship. Throughout her career, Pimentel continued to explore similar themes in series like Bueiros (Manholes), Portas (Doors), and Invólucros (Capsules), often incorporating sculptural elements and minimalist aesthetics. Her art has been exhibited internationally, including at the 7th Paris Biennale and the 11th São Paulo Bienal in 1971, and is held in major collections such as the Museum of Modern Art in Rio de Janeiro and the Art Institute of Chicago. Pimentel's legacy endures as a poignant commentary on the intersections of personal space, societal expectations, and the female experience.