Bomb (1965)
Ecoline and China ink on paper
Created in 1965, Bomb is part of Mira Schendel's "Bombas" series, where she explores the tension between controlled geometry and expressive gesture. Utilizing ecoline and China ink, Schendel combines precise forms with spontaneous marks, reflecting the interplay between structure and emotion. This series marks a pivotal moment in her career, showcasing her innovative approach to materials and form, and her engagement with themes of language and abstraction.
Mira Schendel, born Myrrha Dagmar Dub in Zurich, Switzerland, in 1919, emerged as one of the most significant figures in Latin American post-war art. After fleeing Europe due to rising antisemitism, she settled in Brazil in 1949, where she developed a prolific and innovative artistic practice.
Schendel's work traversed various mediums, including painting, drawing, sculpture, and installation. She is renowned for her exploration of language, philosophy, and the interplay between text and image. Her "Monotypes" series, created on rice paper, exemplifies her unique approach to materiality and abstraction.
Throughout her career, Schendel engaged with intellectuals and artists, contributing to the vibrant cultural scene in São Paulo. Her work has been exhibited internationally, including retrospectives at Tate Modern in London and the Museum of Modern Art in New York.
Schendel passed away in São Paulo in 1988, leaving behind a legacy that continues to influence contemporary art discourse.
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